With this control fully counter‑clockwise you hear only the input at the other extreme, you hear only the signal being output by the DAW. A coaxial digital input is also offered as an alternative to the analogue ins.ĭirect monitoring of input signals is handled using a simple balance control. A single pair of outputs is served up on balanced quarter‑inch jacks, as an S/PDIF digital signal and on a front‑panel headphone socket. Phantom power is also available for mics, and is switched globally. Two combi sockets can accept either XLR‑M or quarter‑inch jack plugs, and can be individually switched to high‑impedance mode for DI’ing electric guitars. Its feature set is familiar from many other such interfaces. The Revolution 2x2 is a bus‑powered USB audio interface that occupies a 1U, half‑rack shell. Until now, however, it’s not been possible to buy an ‘off the shelf’ audio interface that incorporates all of Black Lion’s modifications as standard. In recent years, the company have also introduced a number of their own products, including mic preamps, compressors, power conditioners and word clocks. Depending on the product, it can also mean replacing the system clock and substituting components such as capacitors with premium alternatives. Typically, this involves replacing op‑amps, modifying the filtering on power rails, and introducing their own decoupling circuitry around A‑D and D‑A converter chips. You send them your interface, and they’ll perform open heart surgery, upgrading various components that can have an influence on the sound quality. With their debut audio interface, Black Lion Audio say they’re putting quality first.īlack Lion Audio have built up a loyal following for their audio interface ‘mods’.
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